How was SUPERBOOTH founded? Who were the founding members?
SUPERBOOTH was founded by Thomas Brandes and myself. We used to play in a local band decades ago, in our home town... and after so many years we connected again in Berlin. Later on we invited Andre Kaumann to join the group, as he eventually stepped in as managing director. He made all the bookings and arrangements for this year's event.
What does SUPERBOOTH as an institution stand to achieve?
The vision of the festival has always been to create a meeting point. For those who are into electronic music and electronic instruments, those who push the technology, the trade and the promotion of synthesis. SUPERBOOTH also stands to include 'experienced users' to let their experience be seen, shared and communicated to the 'engineers'. We are creating networks of all kinds via our festival.
As a festival, are you guys aware about female participation and inclusion of female talent?
We have supported (in ways preferred) female artists, handicapped persons and also small manufacturers for a few years now. We also created introductory workshops for female and non-binary participators for two years now. I feel we are already in the process of change, shifting the currently male dominated situation - It may appear a bit niche, as we still exclude pure “software acts” which makes it difficult to achieve equality immediately. Off the three nights, one of the nights we curated more female artists ... We had seven visitors in wheelchairs (from what I know) this year... so this is not famous yet, but we will keep working on it.
What is the most exciting aspect of SUPERBOOTH, in terms of participation?
This year we had a much higher number of professionals joining the show. It is often veteran players like Daniel Miller or Jean-Michel Jarre... However the new generation of musicians and nerds that were present at the festival, I see the reflection in the thousands of youtube clips about SUPERBOOTH 2019. It means a lot to us!
Is Superbooth open to artists, synthesizer brands and educators from nations and regions outside Europe?
Definitely! we are open to more exhibitors and artists from far away countries, for example India. Yet as always, it has to be viable and affordable for us as well. With 30 concerts a day we are not able to pay for all the logistics for all those who are playing at SUPERBOOTH... Honestly there is nothing to take home for the active musicians apart from all the videos, new contacts and mostly a great time... to look forward to every year. Hope to see you at SUPERBOOTH 2020 !
Fotos By Angela-Kroell -©-
Contact SUPERBOOTH - edu@superbooth.com
0 -